翻訳と辞書 |
The Problem We All Live With : ウィキペディア英語版 | The Problem We All Live With
''The Problem We All Live With'' is a 1964 painting by Norman Rockwell. An iconic image of the Civil Rights Movement in the United States, it depicts Ruby Bridges, a six-year-old African-American girl, on her way into an all-white public school in New Orleans on November 14, 1960 during the process of racial desegregation. Because of threats and violence against her, she is escorted by four deputy U.S. marshals; the painting is framed such that the marshals' heads are cropped at the shoulders.〔 On the wall behind her is written the racial slur "nigger" and the letters "KKK"; a smashed tomato thrown at Bridges is also visible. The white crowd is not visible, as the viewer is looking at the scene from their point of view.〔 The painting is oil on canvas and measures 36 inches high by 58 inches wide. ==History== The painting was originally published as a centerfold in the January 14, 1964 issue of ''Look''.〔 Rockwell had ended his contract with the ''Saturday Evening Post'' the previous year due to frustration with the limits the magazine placed on his expression of political themes, and ''Look'' offered him a forum for his progressive social interests, including civil rights and racial integration. Rockwell explored similar themes in ''Southern Justice (Murder in Mississippi)'' and ''New Kids in the Neighborhood''; unlike his previous works for the ''Post'', ''The Problem We All Live With'' and these others place black people as sole protagonists, instead of as observers, part of group scenes, or in servile roles. Like ''New Kids in the Neighborhood'', ''The Problem We All Live With'' depicts a black child protagonist;〔 like ''Southern Justice'', it uses strong light-dark contrasts to further its racial theme. At Bridges' suggestion, President Barack Obama had the painting installed in the White House, in a hallway outside the Oval Office, from July to October 2011. Art historian William Kloss stated, "The N-word there – it sure stops you. There’s a realistic reason for having the graffiti as a slur, () it’s also right in the middle of the painting. It’s a painting that could not be hung even for a brief time in the public spaces (the White House ). I’m pretty sure of that."
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「The Problem We All Live With」の詳細全文を読む
スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|